Event Category: Folk Horror Series

Spirits of Dark and Lonely Water – a Zoom talk with John Clark

In 1973 Britain’s Central Office of Information commissioned a film, directed at children, to warn them of the dangers of playing near ponds and rivers. Presiding over it was a sinister Spirit of Dark and Lonely Water, voiced by the actor Donald Pleasance. In this presentation we shall look at how a similar approach was adopted by parents in the 19th century, and how they used ‘imaginary monsters’ to scare children away from dangerous waters. Our starting point is a recent Royal Mail stamp depicting just such a monster, named Grindylow. By way of the world of Harry Potter and the writings of 20th- and 19th-century folklorists we shall track Grindylow and her sisters Jenny Greenteeth and Nellie Longarmsto their lairs in the ponds and flooded marl pits of north-west England in the early 1800s.

 

Your speaker is John Clark, who was for many years Curator of the medieval collections of the Museum of London (now London Museum). Since his retirement in 2009 he has continued to research and publish on a range of subjects, including medieval horses and their equipment, London legends, and folklore and fairylore. His book on the medieval story of the Green Children of Woolpit, The Green Children of Woolpit: Chronicles, Fairies and Facts in Medieval England, bringing together the results of some 25 years of research, was published in 2024 by University of Exeter Press in their series New Approaches to Legends, Folklore and Popular Belief.

Your curator and host for this online event will be the writer Edward Parnell, author of Ghostland: In Search of a Haunted Country. Ghostland (William Collins, 2019), a work of narrative non-fiction, is a moving exploration of what has haunted our writers and artists – as well as the author’s own haunted past; it was shortlisted for the PEN Ackerley 2020 prize, an award given to a literary autobiography of excellence. Edward’s first novel The Listeners (2014), won the Rethink New Novels Prize. He has edited two anthologies of classic ghost stories for the British Library’s Tales of the Weird series – Eerie East Anglia (2024) and his latest, All the Fear of the Fair: Uncanny Tales of Circus and Sideshow (pub. Oct 2025). For further info see: https://edwardparnell.com

Don’t worry if you can’t make the live event on the night – the next day we will send you a recording valid for two weeks.

 

[Image: montage of a still from Lonely Water (Central Office for Information, 1973) and a depiction of Grindylow by Adam Simpson for the Royal Mail’s 2025 ‘Myths and Legends’ stamp series (© Stamp Design Royal Mail Group Ltd, 2025).]

My Dad Made a Monster: Family, Film & Fandom—a Zoom talk with Richard Hand

‘My father, Peter Hand, who passed away in 2024, was Head of Modelling at MGM in Borehamwood during the 1950s and ’60s,’ says Richard Hand. ‘He worked on a number of movies and built the various scale models – and the “man-in-suit” versions – for Gorgo (1961), Britain’s B-movie answer to Godzilla, after which he left the film industry. Before he died, he published his memoirs, A Spear Carrier in Search of a Role (2021), and they offer a fascinating, first-hand glimpse into a neglected corner of film history: the model studio.

‘Remarkably, I didn’t even know about my father’s work on Gorgo until years later. He was never interested in horror or pop culture, so while my older brother and I were obsessively building glow-in-the-dark Aurora monster kits, collecting issues of Famous Monsters of Filmland, and making our own scare attractions and Super-8 horror epics, I had no idea about my father’s dark cinematic secret… One day, my brother turned to me and said, “Did you know our dad actually made a monster?” I didn’t believe him, but it was completely true – and it changed the way I thought about our family and about the culture we grew up loving.

‘This talk reflects on my father’s story and the unexpected intersections of family memory, horror fandom, and lost film craftsmanship.Drawing on his memoirs and my own memories, I’ll explore how model work like his has been largely written out of official film histories, even as the monster he helped design and build – and others like it – have gone on to become cult icons. I’ll also consider how this story connects to wider patterns of horror fandom and culture: from model kit mania and magazines to the music of Frank Zappa, who in songs such as ‘Cheepnis’ famously celebrated low-budget monster movies.’

 

Richard J. Hand is Professor of Media Practice and Head of Literature, Drama and Creative Writing at the University of East Anglia. He has a particular interest in historical forms of popular culture, especially horror, and is the author of two books on horror radio drama; the co-author (with Michael Wilson) of four books on Grand-Guignol horror theatre; the co-editor (with Jay McRoy) of two volumes on gothic/horror cinema; and the co-editor (with Mark O’Thomas) of a collection of essays on American Horror Story. As well as an academic, he is a theatre director and award-winning radio writer, including as lead dramatist for the National Edgar Allan Poe Theatre on the Air podcast drama which, in 2020, was archived by the Library of Congress for its ‘historical and cultural significance’.

Your curator and host for this event will be the writer Edward Parnell, author of Ghostland: In Search of a Haunted Country (2019). Ghostland, a work of narrative non-fiction, is a moving exploration of what has haunted our writers and artists – as well as the author’s own haunted past; it was shortlisted for the PEN Ackerley 2020 prize, an award given to a literary autobiography of excellence. Edward’s first novel The Listeners (2014), won the Rethink New Novels Prize. His latest book is Eerie East Anglia (pub. Aug 2024), part of the British Library’s Tales of the Weird series. For further info see: https://edwardparnell.com

Don’t worry if you can’t make the live event on the night – we will send you a recording valid for two weeks the next day.

[Image: an adapted film promo poster for the 1961 British sci-fi movie Gorgo.]

Terror in the Dark: The Chilling Story of Live Horror Radio – Zoom talk with Richard Hand

Everyone has heard of The War of the Worlds, the (in)famous 1938 broadcast that supposedly sent America into a panic. But that’s just the tip of the iceberg. This talk will lure you into the weird, wild world of horror radio from the 1920s to the 1950s, the golden age of live broadcasting. Long before podcasts and streaming, radio ruled the airwaves, bringing thrilling, terrifying stories directly into the intimacy of people’s homes. Live, unfiltered, and often shockingly and gruesomely extreme (even to our modern ears), horror radio shows like The Witch’s Tale, The Hermit’s Cave, Lights Out, Suspense, and Quiet, Please pushed the boundaries of storytelling with superb scriptwriting, ingenious sound effects, spine-chilling performances, and unforgettable hosts. These weren’t just spooky tales, they were immersive experiences that haunted the imaginations of millions.

This vivid talk will explore how horror found a perfect home in the invisible world of sound, how brilliant personalities were drawn to the genre, how stations competed to outdo each other in shock value and artistry, and how this era shaped modern audio storytelling. Expect moments of gore, ghostly sounds, and grisly secrets behind the microphone – plus a few surprises that may still give you goosebumps.

This talk is a love letter to a lost era of live horror radio – and a celebration of its enduring power to scare us senseless.

Are you brave enough to listen?

 

Richard J. Hand is Professor of Media Practice and Head of Literature, Drama and Creative Writing at the University of East Anglia. He has a particular interest in historical forms of popular culture, especially horror, and is the author of two books on horror radio drama; the co-author (with Michael Wilson) of four books on Grand-Guignol horror theatre; the co-editor (with Jay McRoy) of two volumes on gothic/horror cinema; and the co-editor (with Mark O’Thomas) of a collection of essays on American Horror Story. As well as an academic, he is a theatre director and award-winning radio writer, including as lead dramatist for the National Edgar Allan Poe Theatre on the Air podcast drama which, in 2020, was archived by the Library of Congress for its ‘historical and cultural significance’.

Your curator and host for this event will be the writer Edward Parnell, author of Ghostland: In Search of a Haunted Country. Ghostland (William Collins, 2019), a work of narrative non-fiction, is a moving exploration of what has haunted our writers and artists – as well as the author’s own haunted past; it was shortlisted for the PEN Ackerley 2020 prize, an award given to a literary autobiography of excellence. Edward’s first novel The Listeners (2014), won the Rethink New Novels Prize. His latest book is Eerie East Anglia (pub. Aug 2024) for the British Library’s Tales of the Weird series. For further info see: https://edwardparnell.com

Don’t worry if you can’t make the live event on the night – we will send you a recording valid for two weeks the next day.

 

[Image: Boris Karloff performing in a radio play.]

Seances and the Female Medium in British Cinema – a Zoom talk with Icy Sedgwick – Zoom

Victorian Spiritualism offered women a tantalising glimpse of freedom through the financial earning power and social status provided to popular mediums. Indeed, while male mediums did exist and regularly toured Britain, it is the figure of the female medium that has characterised how we view these seance leaders in contemporary popular culture. Michelle Yeoh plays one such figure in the latest Poirot film, A Haunting in Venice. This talk will explore how the female medium has been represented in a selection of British films, including The Stone Tape, Quatermass and the Pit, and The Others.

 

Icy Sedgwick has recently completed a PhD exploring the representation of the haunted house in contemporary Hollywood horror films. She runs the Fabulous Folklore podcast, investigating European folklore and its appearances in popular culture. In case she tires of the research, Icy also writes dark fantasy and Gothic horror fiction.

Your host for this event will be the writer Edward Parnell, author of Ghostland: In Search of a Haunted Country. Ghostland, a work of narrative non-fiction, is a moving exploration of what has haunted our writers and artists – as well as the author’s own haunted past; it was shortlisted for the PEN Ackerley 2020 prize, an award given to a literary autobiography of excellence. Edward’s first novel The Listeners (2014), won the Rethink New Novels Prize. He recently edited Eerie East Anglia: Fearful Tales of Field and Fen (2024) for the British Library’s Tales of the Weird series. For further info see:
https://edwardparnell.com

Don’t worry if you can’t make the talk live on the night – we will send you a recording valid for two weeks the next day

[Photo: a publicity still from the 1964 British crime thriller Seance on a Wet Afternoon]

Arthur Conan Doyle’s Tales of the Supernatural – by James Machin – Zoom

Best known as the creator of the arch-rationalist Sherlock Holmes, Sir Arthur Conan Doyle (1859–1930) also had a deep fascination with the supernatural, which found expression in his eerie, Gothic fiction. This talk delves into the spectral terror, weird horror, and occult intrigue of Doyle’s lesser-known stories in the genre. His fascination with the supernatural shaped his fiction throughout his career, from early tales of Arctic fright and ancient curses to later works exploring spiritualism, psychic phenomena, and the limits of human perception. Beyond the page, Doyle’s unwavering belief in the unseen – particularly spiritualism – became a defining aspect of his public life during his later years, drawing admiration from spiritualist circles but controversy from elsewhere.

Join us for an evening of spectral visitations, haunted minds, and the blurred line between science and faith.

 

James Machin is an editor, researcher, and writer who lives in Tring. Recent books include British Weird: Selected Short Fiction, 1893–1937 for Handheld Press – and his short fiction has been published in Supernatural Tales, The Shadow Booth, and Weirdbook. His edition of Conan Doyle’s 1895 novel The Stark Munro Letters for Edinburgh University Press was published in 2024 and he has since commenced work in his next volume in the same series, Conan Doyle’s 1908 collection of ‘grotesque’ tales, Round the Fire Stories. More information about the Edinburgh Conan Doyle Project can be found here:
https://edinburgh-conan-doyle.org/

Your host for this event will be the writer Edward Parnell, author of Ghostland: In Search of a Haunted Country. Ghostland, a work of narrative non-fiction, is a moving exploration of what has haunted our writers and artists – as well as the author’s own haunted past; it was shortlisted for the PEN Ackerley 2020 prize, an award given to a literary autobiography of excellence. Edward’s first novel The Listeners (2014), won the Rethink New Novels Prize. He recently edited Eerie East Anglia: Fearful Tales of Field and Fen (2024) for the British Library’s Tales of the Weird series. For further info see:
https://edwardparnell.com

 

Don’t worry if you can’t make the talk live on the night – we will send you a recording valid for two weeks the next day

The Unsettling Legacy of Edgar Allan Poe’s ‘The Fall of the House of Usher’ – with Antony Clayton – Zoom

Mansion of Gloom: The Unsettling Legacy of Edgar Allan Poe’s ‘The Fall of the House of Usher’

Edgar Allan Poe’s atmospheric tale of madness and premature burial has intrigued and disconcerted readers ever since it first appeared in 1839. In the twentieth century, it attracted interpretations from all fields of artistic creativity: film, television, theatre, opera, music, literature and art.

There have been around twenty film and television adaptations: European filmmakers, from the aesthete Impressionist Jean Epstein in 1928 to schlockmeister Jess Franco in the 1980s, American directors Roger Corman and Curtis Harrington, Czech animation wizard Jan Svankmajer, and British directors such as Ken Russell and Ivan Barnett, whose 1946 adaptation was filmed at a Hastings guesthouse which at the time was the home of notorious occultist Aleister Crowley. Roderick Usher has been played by many eminent actors including Martin Landau, Denholm Elliott, Oliver Reed and, of course, Vincent Price.

The story remains relevant – 2020 saw the release of Lady Usher and in 2023 horror filmmaker Mike Flanagan created the acclaimed eight-episode series The Fall of the House of Usher for Netflix. Musically it has inspired an opera by Philip Glass, an unfinished opera by Debussy and concept albums by The Alan Parsons Project, Peter Hammill and Lou Reed. Steven Berkoff has adapted the story for the stage, Ray Bradbury wrote a science fiction story ‘Usher II’ and numerous artists including Arthur Rackham, Harry Clarke, Alastair and Leonor Fini have produced illustrations.

The House of Usher’s fortunes continue to rise.

 

About the Speaker

London-born and now living in Hastings, Antony Clayton is the author of Subterranean City: Beneath the Streets of London (2001 & 2010), London’s Coffee Houses (2003), Decadent London (2005, 2019), Secret Tunnels of England, Folklore and Fact (September 2015), Netherwood: Last Resort of Aleister Crowley (2012 & 2017) and Mansion of Gloom: The Unsettling Legacy of Poe’s ‘The Fall of the House of Usher’ (December 2024). He has given talks at the British Library, ICA, Conway Hall, Freemason’s Hall and various other venues in and out of London.

Your curator and host for this event will be the writer Edward Parnell, author of Ghostland: In Search of a Haunted Country. Ghostland (William Collins, 2019), a work of narrative non-fiction, is a moving exploration of what has haunted our writers and artists – as well as the author’s own haunted past; it was shortlisted for the PEN Ackerley 2020 prize, an award given to a literary autobiography of excellence. Edward’s first novel The Listeners (2014), won the Rethink New Novels Prize. His latest book is Eerie East Anglia (pub. Aug 2024) for the British Library’s Tales of the Weird series. For further info see: https://edwardparnell.com

Don’t worry if you can’t make the live event on the night – we will send you a recording valid for two weeks the next day.

[Image: a scene from Roger Corman’s 1960 adaptation of The Fall of the House of Usher.]

Horror and Hilarity: The Théâtre du Grand-Guignol – a Zoom talk with Richard Hand – Zoom

The Théâtre du Grand-Guignol (1897–1962), tucked away in the cobblestoned alleys of Pigalle, Paris, earned a notorious and legendary reputation as the “Theatre of Horror”. Specialising in short plays, it offered audiences an unforgettable blend of gruesome horror and raucous comedy. With its intimate stage and macabre allure, the theatre became a magnet for thrill-seekers, drawing both a loyal local audience and daring tourists. Nestled in a neighbourhood infamous for its brothels and gangs, the Grand-Guignol perfected a unique formula which alternated between realistic slice-of-death dramas and grotesque tales of murder, madness, and depravity. The visceral impact of these performances often led spectators to faint or vomit, requiring the assistance of the theatre’s in-house doctor. Yet, laughter mingled with gasps, as bawdy comedies lightened the tension between the chilling scenes.

While the original Grand-Guignol closed its doors in the 1960s, its influence persists in modern horror across media. Its ingenious blend of terror and humour laid the groundwork for subsequent live horror performances, inspiring immersive experiences and theatrical companies around the world. Academic and theatre director Richard Hand will shed light on the enduring legacy of this remarkable theatre, talking us through the vivid history, shocking artistry, and profound cultural impact of this legendary institution.

 

Richard J. Hand is Professor of Media Practice and Head of Literature, Drama and Creative Writing at the University of East Anglia. He has a particular interest in historical forms of popular culture, especially horror, and is the author of two books on horror radio drama; the co-author (with Michael Wilson) of four books on Grand-Guignol horror theatre; the co-editor (with Jay McRoy) of two volumes on gothic/horror cinema; and the co-editor (with Mark O’Thomas) of a collection of essays on American Horror Story. As well as an academic, he is a theatre director and award-winning radio writer, including as lead dramatist for the National Edgar Allan Poe Theatre on the Air podcast drama which, in 2020, was archived by the Library of Congress for its ‘historical and cultural significance’.

Your curator and host for this event will be the writer Edward Parnell, author of Ghostland: In Search of a Haunted Country. Ghostland (William Collins, 2019), a work of narrative non-fiction, is a moving exploration of what has haunted our writers and artists – as well as the author’s own haunted past; it was shortlisted for the PEN Ackerley 2020 prize, an award given to a literary autobiography of excellence. Edward’s first novel The Listeners (2014), won the Rethink New Novels Prize. His latest book is Eerie East Anglia (pub. Aug 2024) for the British Library’s Tales of the Weird series. For further info see: https://edwardparnell.com

Don’t worry if you can’t make the live event on the night – we will send you a recording valid for two weeks the next day.

 

[Image: a montage of various vintage Grand Guignol play posters.]

Count Stenbock: Decadent master of the macabre – a Zoom talk by James Machin

On 26 April 1895, the first day of the criminal trial of Oscar Wilde, Count Eric Stanislaus Stenbock, who had just turned 35 and was already cirrhotic of liver and heavily dependent on opium and alcohol, died after collapsing into a fireplace at his mother’s home in Brighton. According to Arthur Symons, Count Stenbock lived a life that was ‘bizarre, fantastic, feverish, eccentric, extravagant, morbid, and perverse’. W. B. Yeats commemorated him as that ‘scholar, connoisseur, drunkard, poet, pervert, most charming of men’.

Today, Stenbock is remembered (if at all) for his eccentricities as much as for his writing, not least his alleged habit of travelling everywhere with a life-sized wooden doll he named ‘Le Petit Comte’.

In this talk, James Machin will be discussing his strange, short life, his collection of weird tales, Studies of Death (1894), and their ongoing fascination to connoisseurs of the weird and decadent.

 

James Machin is an editor, researcher, and writer who lives in Tring. Recent books include British Weird: Selected Short Fiction, 1893–1937 for Handheld Press and his short fiction has been published in Supernatural Tales, The Shadow Booth, and Weirdbook. He is co-editor of Faunus, the journal of the Friends of Arthur Machen.

Your host for this event will be the writer Edward Parnell, author of Ghostland: In Search of a Haunted Country. Ghostland, a work of narrative non-fiction, is a moving exploration of what has haunted our writers and artists – as well as the author’s own haunted past; it was shortlisted for the PEN Ackerley 2020 prize, an award given to a literary autobiography of excellence. Edward’s first novel The Listeners (2014), won the Rethink New Novels Prize. For further info see: https://edwardparnell.com

Don’t worry if you miss it – we will send you a recording valid for two weeks the next day after the talk

The Problem of Folk Horror – Jeff Tolbert

The Problem of Folk Horror – Jeff Tolbert

The resurgence of folk horror in literature and film raises important questions about the genre’s “folkness.” Who are the “folk” who are (evidently) the source of the horror? And what is folklore and why does it matter, in horror or otherwise?

When we use the word folklore in ordinary speech, it often conveys a sense of rustic backwardness. In horror specifically, these words often evoke a sense of dangerous, insular conservatism, cultish behaviors, and even Lovecraftian degeneracy. For scholars of folklore, the words folklore and folk have rather different meanings.

This talk will highlight some of the specific problems of folk horror, while also distinguishing between folk horror as a genre and the use of folklore elements in horror more generally. My main argument will be that, while horror (and all creative media) can and should make use of all the cultural materials available to it, both creators and audiences should be aware of the rhetorical consequences of calling some people, in some times and places—but not others—“folk.”

Bio

Jeffrey A. Tolbert holds a PhD in folklore from Indiana University. He is assistant professor of American Studies and Folklore at Penn State Harrisburg. His work explores the supernatural and vernacular belief through conventional and digital ethnography, and the relationship between “popular” and “folk” cultures in various media, from horror fiction in literature and film to the Internet monster known as Slender Man. He is co-editor, with Michael Dylan Foster, of The Folkloresque: Reframing Folklore in a Popular Culture World (2016) and Möbius Medie: Popular Culture, Folklore, and the Folkloresque (forthcoming), both from Utah State University Press.

Curated and Hosted by

Dr. Amy Hale is an Atlanta based writer, curator and critic, ethnographer and folklorist speaking and writing about esoteric history, art, culture, women and Cornwall. She is the author of Ithell Colquhoun: Genius of the Fern Loved Gully (Strange Attractor 2020) and is currently working on several Colquhoun related manuscripts. She is also the editor of Essays on Women in Western Esotericism: Beyond Seeresses and Sea Priestesses (Palgrave 2022). She has contributed gallery texts and essays for a number of institutions including Tate, Camden Arts Centre, Art UK, Arusha Galleries, Heavenly Records and she is a curator and host for the Last Tuesday Society lecture series.

don’t worry if you miss it – we will send you a recording valid for two weeks the next day

Fashion in Folk Horror – Sacrificial Maidens and Ritual Robes – Prof Catherine Spooner

Fashion in Folk Horror – Sacrificial Maidens and Ritual Robes

One of the most striking features of Ari Aster’s 2019 folk horror film Midsommar is its costumes: the embroidered white robes worn by its secluded community, the Harga.

The white dress has a long history within folk horror. White dresses feature prominently in classic folk horror films The Blood on Satan’s Claw (Piers Haggard, 1971) and The Wicker Man (Robin Hardy, 1973) and are one of the most striking features of Australian folk horror Picnic at Hanging Rock (Peter Weir, 1975). This visual motif is closely associated with traditional May Day festivities, as well as with the imagery of high ritual magic. However, it also comes from a more commercial source: in the early1970s, peasant smocks and faux-Edwardian white dresses were the height of fashion.This fashion traded on images of idealised pastoral femininity and rural nostalgia that folk horror characteristically disrupts.

Drawing on images from 1970s fashion magazines, this talk traces the uneasy relationship between fashion and folk horror. It shows how the costumes of folk horror films enabled the critique of idealised pastoral femininity and rural nostalgia even as they provided a language and imagery that informed fashion editorial and advertising of the time. Finally, the talk draws parallels between the fashions of the 1970s and the way that the ‘cottagecore’ trend accompanies a new wave of folk horror films in the twenty-first century.

Bio:

Catherine Spooner is Professor of Literature and Culture at Lancaster University. She has published widely on Gothic in Victorian and contemporary literature, film and popular culture, with a particular emphasis on fashion. Her seven books include Fashioning Gothic Bodies, Contemporary Gothic and Post-millennial Gothic: Comedy, Romance and the Rise of Happy Gothic, which was awarded the 2019 Allan Lloyd Smith Memorial Prize. Her most recent book, The Cambridge History of the Gothic Volume 3:

The Twentieth and Twenty-first Centuries, co-edited with Dale Townshend, was published in September 2021. She is currently writing a book on the cultural history of the white dress, to be published by Bloomsbury in 2024, and a folk horror novel set in Lancashire.

Curated and Hosted by

Dr. Amy Hale is an Atlanta based writer, curator and critic, ethnographer and folklorist speaking and writing about esoteric history, art, culture, women and Cornwall. She is the author of Ithell Colquhoun: Genius of the Fern Loved Gully (Strange Attractor 2020) and is currently working on several Colquhoun related manuscripts. She is also the editor of Essays on Women in Western Esotericism: Beyond Seeresses and Sea Priestesses (Palgrave 2022). She has contributed gallery texts and essays for a number of institutions including Tate, Camden Arts Centre, Art UK, Arusha Galleries, Heavenly Records and she is a curator and host for the Last Tuesday Society lecture series.

don’t worry if you miss it – we will send you a recording valid for two weeks the next day