Monster Worlds
In the 1970s, the sometimes-garish world of monster-movie pop culture was a comfort, an external expression of grotesquery and strangeness that the culture was feeling inside but had no name for. Rather than making us more afraid, monsters mythologized our own abstract worries about sexuality, nuclear war, race and the other, as well as personifying our collective sense of being untethered from mystery and enchantment. The talk will track the changing face of monsters as mythic and literary creatures as our culture’s own lingering unease began to morph, moving from the shadowed myths of the past into the daytime horrors of serial killers and gore and argue that we need monsters again to learn how to reimagine what frightens us in a way that remythologizes our anxieties and will offer a path for a re-enchanting our imaginations using monsters as a guide, looking at current examples in film, television, and comics.
Bio:
Peter Bebergal writes widely on the speculative and slightly fringe. His essays and reviews have appeared in The Virginia Quarterly Review, The New Yorker, The Times Literary Supplement, Boing Boing, The Believer, and The Quietus. He is the author of Strange Frequencies: The Extraordinary Story of the Technological Quest for the Supernatural and Season of the Witch: How the Occult Saved Rock and Roll, among others. Bebergal studied religion and culture at Harvard Divinity School. He lives in Cambridge, Massachusetts.
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